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  • DO NOT USE BEFORE JULY 13 2024.   Emma Corrin shot by Christina Ebenezer in London, June 2024, for Guardian Saturday magazine.  Styling: Ali & Aniko
Hair: Daniel Martin
Make up: Gina Kane
Set Design: George Lewin
Dress by Molly Goddard, earrings and ring by Cartier

    ‘I’m starting to doubt everything’: Emma Corrin on Diana, being a Marvel villain, and an existential crisis

  • Gru in Despicable Me 4.

    Going out, staying in
    From Despicable Me 4 to Kylie in Hyde Park: a complete guide to this week’s entertainment

  • Brian Logan

    Frightfully funny: is being roared at by a near-naked hardman really comedy?

    Brian Logan
  • Natalie Simpson and James Corrigan as Marianne and Stefan in Visit from an Unknown Woman.

    Visit from an Unknown Woman review – gripping study of obsession and fantasy

  • Paulina Lenoir in red dress, red gloves and red headpiece on black background

    Paulina Lenoir: Puella Eterna review – flamenco clown takes us from cradle to grave

  • Fuerza Bruta: Aven.

    Fuerza Bruta: Aven review – big on spectacle, hollow of heart

  • The musical that shows the true side of One Direction fans

  • Chariots of Fire review – breathless staging of classic Olympic dash

  • Cole Escola in Oh, Mary!

    Oh, Mary! review – Cole Escola’s gloriously deranged historical romp

  • Richard Gadd as Donny Dunn in Baby Reindeer

    Baby Reindeer reveals the shame and wonder of performing at the Edinburgh fringe

    Georgie Wyatt
  • Macbeth (An Undoing) Bojana Novakovic c Jeff Busby[1]

    Macbeth (An Undoing) review – Lady M takes over Shakespeare’s play … but what for?

  • Always lovable … the cast in Barnum, Watermill Theatre, 2024.

    Barnum review – roll up for some old-world big top magic

  • Tiny theatres take big risks – in cautious and precarious times, their survival is vital

    Brian Logan
  • Bindweed review – complex account of the scale of violence against women

  • ‘Dream come true’: Elizabeth Newman to be Sheffield Theatres’ artistic director

  • Olivia Washington and Kit Harington in Slave Play at Noël Coward theatre.

    Slave Play review – Jeremy O Harris’s intense study of sex and race demands debate

  • Siubhan Harrison as Lady Sneerwell and Tara Tijani as Lady Teazle in The School for Scandal.

    The School for Scandal review – gen Z glow up is all style and no snap

  • The Children's Inquiry at Southwark Playhouse Elephant.

    The Children’s Inquiry review – exhilarating political musical about kids in care

  • Christopher Villiers and Nancy Carroll

    Actors’ show-stopping art exhibition: ‘We’re used to rejection so nothing was turned down!’

  • Behind the scenes with Joseph Fiennes as he prepares for his role as Gareth Southgate in Dear England, at the Prince Edward Theatre in London's West End. London. Photograph by David Levene 9/1/24

    The mysterious art of the casting director: ‘When you see the truth in front of you, it’s the right person’

    Is it gatekeeping or dream-making? Art or science? As the Oscars get set to award casting directors for the first time, British theatre’s finest share the secrets of their trade
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