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Michael Billington

Michael Billington has written about theatre for the Guardian since 1971. His books include The 101 Greatest Plays and State of the Nation: British Theatre Since 1945

July 2024

  • Christopher Villiers and Nancy Carroll

    Actors’ show-stopping art exhibition: ‘We’re used to rejection so nothing was turned down!’

    More than 250 works by 40 stage talents are on display in London for an impressively wide-ranging event that supports the Theatre Artists Fund

June 2024

  • Blind Runner by Amir Reza Koohestani.

    Venice Biennale theatre: running from UK immigration and revisiting Chekhov

    A welcome glimpse of what is playing beyond Britain, this year’s programme includes a deeply moving drama of migrant jeopardy and an intriguing Three Sisters

May 2024

  • Lucy Tregear as Meg Page, Richard Cordery as Sir John Falstaff and Claire Carrie as Alice Ford in The Merry Wives of Windsor at the Old Vic, London, in 2003.

    Need proof who wrote Shakespeare’s plays? See The Merry Wives of Windsor

  • ‘An ideal play’ … The Two Gentlemen of Verona in rehearsals led by Greg Doran at St Catherine's College, Oxford.

    ‘They’re teaching me’: Greg Doran on staging Shakespeare’s unloved Two Gents with students

April 2024

  • Trevor Griffiths, playwright

    Trevor Griffiths: Mancunian Marxist whose political plays deserve revival

    Griffiths, who has died aged 88, explored the conflict between reform and revolution in plays and scripts from the film Reds to dramas such as Occupations, The Party and Comedians

March 2024

  • John Savident (Horatio Hobson) in "Hobsons Choice" @ Chichester Festival Theatre (opening 2-08-07) (©Tristram Kenton 07-07) 3 Raveley Street, London NW5 2HX. Tel: 02072675550 mobile: 07973617355. email: tristram@tristramkenton.com

    Letters: John Savident obituary

    Michael Billington writes: John Savident urged me to sharpen my prose style and improve my dress sense
  • Edward Bond

    Edward Bond: a phenomenal talent who upturned theatre with his explosive plays

    Michael Billington
    One of the greatest dramatists of the 20th century, Bond – who has died aged 89 – confronted audiences with ‘the crisis in the human species’
  • Simon Callow in The Mystery of Charles Dickens at the Comedy theatre, London, in 2000.

    Great expectations and a bleak house: the promise and perils of staging Dickens

    London Tide at the National Theatre is the latest in a flood of Dickensian adaptations. Few have captured the novelist’s surreal imagination – are solo shows the most successful?

February 2024

  • Timothy West and Prunella Scales in Long Day's Journey Into Night at Bristol Old Vic in 1991.

    Long Day’s Journey Into Night: a grand masterpiece and an ordinary family drama

  • A new adaptation of Hamlet, starring two-time Academy Award nominee and Shakespearian titan Ian McKellen, will be heading to UK Cinemas for One Night Only on 27th February.

    The film’s the thing: Ian McKellen’s new Hamlet shows the screen can outdo the stage

    Michael Billington

January 2024

  • Fine performance … David Warner as Falstaff and Geoffrey Streatfeild as Prince Hal in Henry IV Part I in 2008.

    The many faces of Falstaff: Shakespeare’s tragicomic knight is as complex as Hamlet

    Ian McKellen follows in the footsteps of David Warner and Antony Sher as he takes on a character who has been played as wittily jovial and cruelly cunning
  • Doon Mackichan, James Corden, Martin Savage and Lloyd Hutchinson in A Respectable Wedding at the Young Vic, London, in 2007.

    Front row at the wedding from hell: a toast to theatre’s marital ding-dongs

    Party punch-ups, brides in disguise, simmering family rancour … playwrights have cordially invited audiences to some nightmarish nuptials
  • Michael Hastings, aged 18, working at his mother's council flat in Brixton, London, in February 1957.

    Seeking Michael Hastings, the missing man of British theatre

    Best known for writing Tom and Viv, Hastings made his debut as a teenage dramatist in the 1950s. Now, his vivid ‘young man’s play’ Don’t Destroy Me is back

December 2023

  • Director Michael Blakemore.

    From Joe Egg to Noises Off, Michael Blakemore was a superb craftsman of theatre

    Michael Billington
  • Audra McDonald performs in My Favorite Things at Theatre Royal Drury Lane

    Oh, what a beautiful evening – but this ritzy Rodgers and Hammerstein tribute could have been radical

    Michael Billington

November 2023

  • Jenny König in Ophelias Zimmer by Alice Birch at the Royal Court, London, directed by Katie Mitchell in 2016.

    Who comes first – playwright or director? It depends which country you’re in

    Michael Billington
    Katie Mitchell has compared her experiences of hierarchies in British and German theatre. Our strength has always lain in honouring the text
  • Backbone of British entertainment … Joss Ackland.

    Joss Ackland: a beacon of power on British stage and screen

    From a sportive Falstaff for the RSC to a powerful Juan Perón in Evita, Ackland – who has died aged 95 – rarely had the star role but was a reassuring presence
  • Lesley Manville (Helene Alving) and Jack Lowden (Oswald Alving) in Ghosts at Almeida Theatre in 2013.

    Ibsen’s Ghosts: a resounding flop that still returns to haunt us

    Despite being panned as ‘a dirty act done publicly’ on its London premiere, the tragedy is now regarded as a classic – here are three productions that radically shifted our perspective

October 2023

  • Joseph Fiennes (Gareth Southgate) and Dear England cast at the National Theatre. Photo by Marc Brenner 2045

    The National Theatre’s earlier start times are a great result for audiences

    Michael Billington
  • Marcus Farnsworth (Strephon) and Samantha Price (Iolanthe) in Iolanthe by Gilbert and Sullivan @ London Coliseum. An English National Opera production. Directed by Cal McCrystal. Conductor, Chris Hopkins. (Opening Night 05-10-23) ©Tristram Kenton 10-23 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Iolanthe review – from Nadine Dorries to flying lords, the spiralling absurdity makes this a delight

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