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Opera
July 2024
New Year review – Blake’s 7, redemption and rap as Birmingham Opera Company turn to Tippett
Il trionfo del Tempo e del Disinganno review – imaginative staging transforms Handel’s oratorio
Ernani review – sterling singing triumphs over Verdi’s implausible plot
Black- and Asian-led take on Wagner in Midlands aims to open up opera access
The week in classical: A Midsummer Night’s Dream; Pekka Kuusisto & Norwegian Chamber Orchestra: DSCH; Camerata RCO – review
Janáček: The Excursions of Mr Brouček album review – eccentric opera has sparkle and muscle
James Loughran obituary
Edgar review – Puccini was right, his biggest flop is a dud
June 2024
Un Giorno di Regno review – fizzing revival of Verdi’s failed comedy
The week in classical: Giulio Cesare; Così fan tutte; Siegfried/Götterdämmerung – review
Così fan Tutte review – self-conscious staginess is surreal fun in beautifully sung revival
The Rake’s Progress review – stripped back staging foregrounds the sadness
‘Where do we want opera to be when we’re 100?’: how Glyndebourne is facing the future
The week in classical: Das Rheingold/Die Walküre; Paul Wee; Köln Concert – review
Katya Kabanova review – Romaniw soars in cogent take on Janáček’s tragedy
Il Trittico review – an eloquent, gutsy outpouring of Puccini’s passion and pain
The week in classical: The Merry Widow; Aldeburgh festival – review
Other lives
Claire Seymour obituary
Brief letters
Please, no more pics of Keir Starmer, Rishi Sunak … or Taylor Swift
The Merry Widow review – De Niese and Olvera are compelling, but camp fun stifles subtlety
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