Twister director Jan de Bont says Warner Bros. didn't consider a sequel in the aftermath of the film's huge success. Listen to our full interview with him here.
Beverly Hills Cop: Axel F director Mark Molloy tells us about working with Eddie Murphy on the long-awaited sequel, balancing nostalgia, and much more.
The Bikeriders director Jeff Nichols tells us that his Alien Nation remake is still in the works, but at a different studio and with a different title.
House of the Dragon Showrunner Ryan Condal dishes on small council meetings, balancing Team Black and Team Green, and George RR Martin's recent comments.
Jordan Peele's next film was initially set to hit theaters this Christmas, but the latest update is that it will instead arrive just in time for Halloween 2026.
What happened to the memorable, hummable movie themes that used to populate American blockbusters? We spoke with several Oscar-winning composers to find out.
Ishana Night Shyamalan has worked as a second unit director for her father, M. Night Shyamalan. For The Watchers, he worked in that capacity for his daughter.
Most Star Trek shows in the '90s ended their seasons with a cliffhanger or some kind of dramatic event, but that wasn't the case with Voyager season 1.
In a Violent Nature reshot the first four weeks of its production, which is a pretty extreme feat for an independent film. Director Chris Nash explains why.
The first 10 minutes of Pixar's Up went through several changes during development, including last-minute tweaks to its score by composer Michael Giacchino.
George Miller, the maestro behind the Mad Max films, tells us about working with Anya Taylor-Joy and Chris Hemsworth on Furiosa, the power of myth, and more.
Star Trek is the greatest sci-fi franchise ever because of the lessons it imparts to its audiences, a philosophy that's at odds with many of its contemporaries.
Executives at 20th Century Fox had so little faith in audiences at the time that they nixed one-time director Renny Harlin's ambitious vision for Alien 3.
Warner Bros. wanted to ruin the best moment from Deep Blue Sea by putting it in the film's trailer, but director Renny Harlin fought back and took a stand.
With streaming companies teaming with rivals to offer bundles to subscribers, we're now back to a familiar model of cable television. But this time, it's worse.
The opening anti-gravity attack in Dune: Part Two is what Oscar-winning cinematographer Greig Fraser refers to as 'peak sci-fi,' and we steadfastly agree.
'The Devil's Chord' is Doctor Who's first proper musical episode, but it lacks the character-driven crooning that made Buffy's 'Once More With Feeling' great.
Kingdom of the Planet of the Apes director Wes Ball tells us that the relationship between the ape Noa and the human Mae will be 'crucial' to possible sequels.
Hundreds of Beavers, an unhinged comedy about a man hunting, um, hundreds of beavers, used no improv at all and instead stuck super closely to its storyboards.