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In his hybrid feature, the director invites nonbinary and trans people to audition for and play Virginia Woolf’s protagonist, with astonishingly rich results
A Quiet Place: Day One, A Greyhound of a Girl, Kinds of Kindness, Eternal You
The Native American Oscar nominee broke new ground in Killers of the Flower Moon. Her new film, Fancy Dance, picks up the same issues 100 years later
An unexpectedly profound reckoning with our increasingly queasy relationship with the virtual world
Animation of Roddy Doyle’s children’s book of same name leans into writer’s reliable ear for the vernacular
It’s 40 years since the actor starred in Footloose. In Beverly Hills Cop: Axel F, he joins Eddie Murphy in a franchise that also dates back to 1984
The Bikeriders, The Exorcism, Green Border, Something in the Water
Agnieszka Holland’s powerful depiction of border-crossing has angered Polish authorities and refugee agencies in equal measure
Joshua John Miller’s imaginative film makes makes the inferior Exorcist: Believer reboot feel genuinely cursed
Director on getting out of his southern US comfort zone and his plans to adapt Cormac McCarthy’s final two novels
The onset of puberty sends Riley around the bend in excellent sequel Inside Out 2, plus offbeat Bigfoot dramedy Sasquatch Sunset, Ama Gloria from France and Hounds from Morocco
Louise Mauroy-Panzani’s uncanny performance keeps us fixated on the child’s psychodrama
The Zellner brothers inject genuine pathos to elevate what could otherwise have ended up as an extended skit
In Zellner brothers’ Bigfoot film, Riley Keough and Jesse Eisenberg lead cast that grunts, screams, masturbates and defecates
Proto-feminist western The Dead Don’t Hurt, plus witty true-life Hit Man, period French drama Rosalie, and another big-boom Bad Boys sequel