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A (Black) Gat in the Hand – The ‘Lost’ Mike & Trixie Intro

A (Black) Gat in the Hand – The ‘Lost’ Mike & Trixie Intro

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

So… I agreed to write an introduction for The Complete Cases of Mike & Trixie: Volume One, from Steeger Books. That intro is below. It is not, however, in that particular book, as I missed the deadline in epic Douglas Adams fashion. It was entirely my fault, and I’m fortunate that Steeger didn’t drop me entirely. Since this essay has just been sitting around taking up space on my hard drive, I decided to run it in A (Black) Gat. It’s pretty self-explanatory and covers the first four stories in the series. I like T.T. Flynn, and maybe I could write an intro for Volume Two…

Most pulpsters earned less than a penny a word, with the legendary Black Mask offering a princely three cents! So it comes as no surprise that not only did writers produce at great volume, – some, like Erle Stanley Gardner, could crank out over one million words a year – but they also wrote for multiple magazines in different genres. Robert E. Howard, best known for Conan (Hollywood added ‘the Barbarian’), wrote boxing yarns, Westerns, spicy adventures, horror, historicals, and even mysteries; submitting stories to almost anyone who would pay, it seems. Like his contemporaries, he was just trying to make a living as a pulpster.

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A (Black) Gat in the Hand: Evan Lewis on Cleve Adams – Black Knight, Cannibal and Forgotten Man

A (Black) Gat in the Hand: Evan Lewis on Cleve Adams – Black Knight, Cannibal and Forgotten Man

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

If you read Pulp, you know who Evan Lewis is. He’s an MLB MVP while I’m AAA on a good day. Hardboiled, Adventure, Doc Savage, Dick Tracy, Davy Crockett, Nero Wolfe – the guy knows it all. He and I message about our like interests, and I conned – I mean, convinced – him to join in the Black (Gat) parade, this year.  I know a little about Cleve Adams, but not nearly enough to write about the once popular but now mostly forgotten pulpster.

 

Chapter 1

OBSCURITY

Cleve F. Adams is the forgotten man among hardboiled pulp writers. Though he produced well over a hundred stories and more than a dozen novels, almost every word is now out of print.

Adams was an anomaly in that his characters were genuinely hardboiled, while his style was not. His detectives were sometimes harder and more brutal than their contemporaries, but remained likable due to his easy-going whimsical style. This blend of violence and humor made him one of the relatively few hardboiled pulp writers to successfully move his magazine characters into hardcover.

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A (Black) Gat in the Hand: Will Murray and The Diamond Wager Caper – Not Dashiell Hammett?

A (Black) Gat in the Hand: Will Murray and The Diamond Wager Caper – Not Dashiell Hammett?

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A (Black) Gat in the Hand makes its first-ever Friday appearance as Will Murray takes us down some Mean Streets never explored before. And he’s gonna need a blackjack and a roscoe in hand for this one. I’m not gonna spill the beans about Dashiell Hammett’s “The Diamond Wager”, but you’re definitely going to want to read on to find out the real truth behind that story. Take it away, Will!

____________________________________________

Recently, friend and fellow researcher Evan Lewis posted on Facebook the text of a story that first appeared in the October 19, 1929 issue of Detective Fiction Weekly entitled “The Diamond Wager.“ This was featured in a blogpost he originally posted in June, 2013.

The story ran under the byline of Samuel Dashiell. According to Evan, it is widely believed to be the work of Samuel Dashiell Hammett, and constitutes Hammett’s only contribution to Detective Fiction Weekly.

“The Diamond Wager” is a 7,600 word yarn of a gentleman thief set in Paris. For a tale purportedly written by the author of The Maltese Falcon, it’s underwhelming. Opinions on the story’s worth do not vary much. When compared to Hammett’s oeuvre, it’s an oddball outlier, a tongue-in-cheek relic of the Golden Age of mystery stories.

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Senator, You’re No Jack Kennedy. Continautors – Yes or No?

Senator, You’re No Jack Kennedy. Continautors – Yes or No?

Official continuators of a literary series can engender mixed emotions. Some folks are happy to see more stories of a character they like – even if the creator has died. Others feel that only the original author should write that character and they should lie in the grave together.

Characters eventually enter the public domain. Though exactly when varies in different countries; and it’s not always clear, regardless. But the rights holders (often the family of the author, or their Estate) contract with someone to continue the series. I have read several official continuations (though I still haven’t gotten around to Ben Black’s Philip Marlowe. And as I recall, Poodle Springs didn’t do anything at all for me). I’m gonna talk about a few, with comments on the concept, mixed in.

Tony Hillerman/Anne Hillerman

Anne Hillerman had previously written some non-fiction when she took over her late father’s Navajo Tribal Police series. The ONLY reason she is writing these books is because she owns the rights. Quite simply, her continuation novels are terrible. And are a bastardization of her father’s books. I wish someone could prevent her from any more of them.

Anne completely transformed her father’s series. She was not interested in writing more books in his style. Expanding from ‘Leaphorn and Chee.’ they are now officially ‘Leaphorn, Chee, and Manuelito Novels.’ She has completely shifted the emphasis to Bernie Manuelito. Chee is an emasculated husband who would be better off completely out of the books. They’re now like Lifetime movies about Bernie and her issues with her mom and sister, and unhappiness with Chee’s attitude at least once a book. It’s exhausting read them.

Louisa Bourbonette is now so annoying, I wish that Leaphorn (who was actually lobotomized by a gunshot wound in the first two books) would dump her.

Stargazer (the sixth book) is the worst continuation novel I’ve ever read. Well, I actually, partly read. The first five books were bad, and that one was so terrible, I abandoned it part-way through.

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Musings from The Busted Flush: John D. MacDonald at Black Gate (so far…)

Musings from The Busted Flush: John D. MacDonald at Black Gate (so far…)

I’m going to write a post on G.M. Ford’s Leo Waterman series. Waterman is a Seattle-based PI whose dead father was a Tammany-Hall style politician, and he uses some alcoholic bums as his Baker Street Irregulars. Ford wrote six in the series, took a long break, and returned to Waterman and wrote six more books. As with Robert Goldbsorough’s Nero Wolfe continuation novels, the break damaged the series.

While Goldsborough’s second run is, simply, not good, the second batch of Watermans are still worth reading. But the series took a decidedly darker tone. I’ve read five of the second six, and I haven’t enjoyed them nearly as much. I haven’t been in any rush to close it out.

After finishing book eleven (of twelve) last week, I found out that Ford had passed away in December of 2021. I’d met him once at a Bouchercon, and he was a nice guy; Funny. I’m sorry he’s gone. But that confluence of Ford in my life led me to re-read the first book in the series, Who in Hell is Wanda Fuca? And I liked it as much as I did the first time around. What a terrific book! I moved right on to the next, Cast in Stone.

That novel is an homage to one of his favorite writers, John D. MacDonald. And if you read my stuff here, you know that John MacD is my favorite writer, in any genre. I think he’s one of the finest writers of the 20th Century. Meanwhile, book three is a tribute to Nero Wolfe (which is my all-time favorite PI series. So, that’s up next.

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Nero Wolfe’s Brownstone: Hercule Poirot visits Nero Wolfe

Nero Wolfe’s Brownstone: Hercule Poirot visits Nero Wolfe

Been writing and reading a lot of Nero Wolfe lately (when I’m not re-watching Columbo before bed).

Just to channel Archie, I like to have favorite detectives visit Wolfe’s office. For some fun, I’m well over 5,000 words into a story with Groucho (Rufus Flywheel) and Chico on a case with Archie (and Wolfe) at The Big Store. I’ve tinkered with Dirk Gently (my favorite Douglas Adams character) using Zen navigation and Archie confronting him in front of the Brownstone.

I have toyed with a solo Poirot adventure, based on a non-Poirot story written by Agatha Christie. My Poirot is very much David Suchet’s portrayal, and it’s fun to write.

So, I had Poirot visit the Brownstone. I may add a scene during lunch, with them talking about another subject; the conversation mildly annoying Archie. That could be fun.


The fussy little Belgian was so far forward in the red chair that it barely qualified as sitting. His back was perfectly straight, and there couldn’t have been a centimeter of space between his shoes. I had never seen a man take off a pair of gloves so deliberately. I don’t know how he could possibly be comfortable, but he didn’t seem to be bothered at all. It’s as if that were the only natural way to sit. And I’m telling you, it definitely wasn’t natural.

I had received a call three weeks before from a Captain Arthur Hastings, in London. Wolfe had used a competent operative named Ethelbert Hitchcock over there. And I’m not making that first name up. I started calling him Geoffrey to keep from laughing as I typed these little accounts. I don’t think he’d mind too much.

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The Brownstone of Nero Wolfe: Death of a Doxy – And Koufax or Mays?

The Brownstone of Nero Wolfe: Death of a Doxy – And Koufax or Mays?

We haven’t been to the Brownstone since April of last year. Pfui! So here we have the forty-third Nero Wolfe post at Black Gate. The Wolfe stories are my favorite private eye series. Which, given my Solar Pons, and Sherlock Holmes, credentials, is saying something. I am pretty much always re-reading or listening yet again to Michael Prichard’s terrific audiobooks. I never tire of Wolfe’s World.

Rex Stout was a baseball fan, keeping score at Mets’ games (and possibly NY Giants’ ones as well). Archie uses some baseball terms, and even (briefly) watches a Mets game on TV, with actual players mentioned. And of course, there’s Ron Seaver. “Three Men Out” is set at game seven of a World Series game between Boston and the Giants, though all of the characters are entirely fictional in that one.

I’ve written some baseball snippets for inclusion in future stories, including Archie annoying Wolfe by talking about the Rocky Colavito – Harvey Kuenn trade; and Archie recounting attending Willie Mays’ last World Series, against the A’s. Archie and baseball go together.

Which leads us to talking about Death of A Doxy today. This may well be my favorite Wolfe novel. And I think that A&E did a terrific episode of it. It’s got a neat little baseball reference, which I’ll tease out for this essay. But first, let’s talk about something that should be banned by law – The Epithon!

THE EPITHON

In Death of a Doxy, Archie is at Lily Rowan’s penthouse, listening to a poet read a selfdubbed ‘Epithon.’ It is called such because it was epic, and took hours to read. Add in that the man wrote it himself, and you’ve got the idea. ‘Pfui’ isn’t strong enough.

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The Public Life of Sherlock Holmes: The Adventure of the Parson’s Son

The Public Life of Sherlock Holmes: The Adventure of the Parson’s Son

I have been fortunate enough to contribute original stories to five volumes of the MX Book of New Sherlock Holmes Stories series. The brainchild of my Solar Pons buddy, David Marcum, there have been THIRTY-SIX volumes so far, and that will be over forty by the end of the year. The stories are all authentic Holmes pastiches, emulating Doyle’s writings. No modern-age fan fiction nonsense (like, say, the road BBC Sherlock went down).

The contributors donate their royalties, which goes to Undershaw, a school for special needs kids, which is in one of Arthur Conan Doyle’s former homes. Over $100,000 has been raised so far. It’s just a terrific project in multiple ways.

Some of my favorite writers have participated, including Denis O. Smith, Hugh Ashton, John Hall, Will Thomas, and more. I’ve also discovered some new Holmes writers I didn’t know about, like Mark Mower, Mike Hogan, and Tim Symonds.

Plotting is my Achilles heel, but I’m working on getting back in the series with some new stories. Arthur Conan Doyle looked into several true crimes – often to try and thwart a miscarriage of justice. The case of George Edalji is probably the best-known. Not too long ago, a fictionalized account, Arthur and George, was made into a TV miniseries.

For MX, I took that case and had Sherlock Holmes investigate it as it occurred. “The Adventure of the Parson’s Son” appeared in third volume of this series, and was part of the initial three-part release. If you’d like to read a Doyle-styled Holmes story by yours truly, keep on going.

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Bob at the Movies: ‘The Pale Blue Eye’ & ‘Glass Onion: Knives Out’

Bob at the Movies: ‘The Pale Blue Eye’ & ‘Glass Onion: Knives Out’

So, I’ve gotten back into reading Sherlock Holmes again, after being away from Baker Street for a couple years. And I’m still posting shelfies over at that subreddit. One, depicting a bookshelf collapse disaster from a couple summers ago, got over 36,000 views! But today, we’re gonna look at couple mystery movies I watched over the weekend.

THE PALE BLUE EYE

The Pale Blue Eye is based on a book by Louis Bayard. Christian Bale is a world-weary detective, who is brought in to investigate the death of a cadet at West Point. He is aided by a young Edgar Allen Poe, who was there in 1830-1831. So, we’ll put the movie in 1830.

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The Public Life of Sherlock Holmes – Holmes Shelfies (#1)

The Public Life of Sherlock Holmes – Holmes Shelfies (#1)

So…I found a kinda cool group over on Reddit. And it wasn’t LotR_on_Prime – yeesh. R/bookshelf is a subreddit where people post their shelfies. With over 2,000 books on 90-ish shelves/cubes, that appealed to me!

I started with my Jack Higgins shelf, and then my Clive Cussler one. I’ve done a couple fantasy shelves, but mostly I’ve been sharing pics of my over-500 Sherlock Holmes and Arthur Conan Doyle books. And I’ve been adding a comment, talking about some of those pictured. Its’ been neat.

So, I thought for this week’s entry, I’d bring back The Public Life of Sherlock Holmes again, and share the shelfies and comments. So far, anyways.

Holmes Shelfie #1

Titan Books has two lines of Holmes pastiches. The colorful ones on the left, are traditional stories in the Doyle style. They were originally reissues of hard-to-find volumes by folks like Philip Jose Farmer, Fred Saberhagen, Manly Wade Wellman, and David Stuart Davies (my editor at Sherlock Magazine). Then they started adding new novels by Davies and a few other authors.

The other line, with the covers like the ones on the right, are all new novels, and horror-ish / steampunk / gothic. Not traditional Doyle. They continued this line through the Pandemic. If you want some horror-ish Holmes, this is a good place to go. I like James Lovegrove quite a bit. And I think Caravan Scott was pretty good.

I have 38 of the Titan books, I think. Here’s a review I wrote of a couple of the early ones from George Mann.

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