For his latest dispatch on the Clean Feed imprint, the aptly-named States of Restraint, bassist and composer Gonçalo Almeida delivers a set of remarkable minimalist tone poems distinguished by their brooding crawl-time intensity and austere meditative aesthetics.
Accompanied by trumpeter Susana Santos Silva and percussionist Gustavo Costa, Almeida meticulously maps the coordinates of five tension-fuelled abstracts which, taken together, comprise a mesmeric form of temporal liturgy, delineated through standard notation and graphic scores, animated via splendidly spartan increments of surge, drone and ceremonial carillon.
Silva has been a constant in Almeida’s LAMA trio, while she also guests on 2021’s Suicide Underground Orchid by Almeida and Costa’s incendiary metal-charged jazzcore unit, Ikizukuri. But whereas these previous ventures are often characterised by frenetic jump-cuts, scattergun squalls and wild improvisational jousts, States of Restraint emphasises more temperate aspects of control, discipline, nuance and poise.
Recorded last summer at Sonoscopia – the unique Porto-based hub championing experimental music and sound art under Costa’s directorship – States of Restraint negotiates an assiduously sensitive strain of brinksmanship, continually teetering on the cusp of total erasure, teasing intimations of a blissful eternity. Under the expert stewardship of Almeida’s trio, patience is pushed here beyond its simple virtuousness, becoming the creative fulcrum for a set of thrillingly singular entrancements, basking in the variegated latency of its laser-focused sublime.
Recorded on 21 July 2023 at Sonoscopia, Porto by Gustavo Costa | Mixed by Gonçalo Almeida | Mastered by Gustavo Costa
Produced by Gonçalo Almeida | Executive production by Pedro Costa for Trem Azul | Design by Travassos | Photos by Pedro dos Reis
supported by 6 fans who also own “States of Restraint”
I remember seeing Bloodcount play at Leeds Irish Centre about this time…the band very nearly outnumbered the audience… but it was one of the best gigs (out of very many) I ever saw and the band were terrific…on fire…25 years ago!! Who says you can’t time travel? This rediscovered recording took me right back…what a find! Thanks Tim…Love & Respect. John Cratchley
supported by 6 fans who also own “States of Restraint”
My favorite Berne band, and one is my favorite bands, period. Essential recording, a crucial piece of a very rich and stunning discography from Snakeoil. dreG
supported by 6 fans who also own “States of Restraint”
Great, great band, The Engines...this live recording (The Green Mill, Chicago) just hits the sweet spot continuously...
The playing, the improvising, the interplay, the energy and the verve just don't get better than this for me...all Ken Vandermark associates, all quality guaranteed composers.
Lots of exceptional stuff on this label (Dave Rempis' Aerophonic Records) too...check it all out, it's worth your time and effort. John Cratchley
Jazz bassist Nim Sadot pays homage to the life of his his late grandfather, a Polish artist who escaped a Soviet labor camp. Bandcamp New & Notable Sep 1, 2022
Trumpeter Harry Spencer’s orchestral modern jazz has cinematic scope, inspired here by dissidents throughout history. Bandcamp New & Notable Oct 3, 2023
supported by 6 fans who also own “States of Restraint”
I remember seeing Bloodcount play at Leeds Irish Centre about this time…the band very nearly outnumbered the audience… but it was one of the best gigs (out of very many) I ever saw and the band were terrific…on fire…25 years ago!! Who says you can’t time travel? This rediscovered recording took me right back…what a find! Thanks Tim…Love & Respect. Marc Ducret? My wife remembered his “scary sunglasses”… John Cratchley