🎬 Today marks the streaming debut of "Godzilla x Kong: The New Empire" on Max, featuring stunning work by Scanline VFX. In an exciting move, a version is also being released simultaneously in American Sign Language (ASL), making it accessible to a broader audience of fans and movie lovers alike. At Scanline VFX, we take pride in contributing to projects that prioritize inclusion. Whether you're catching it for the first time or looking to revisit the epic clash, you can now enjoy the film from the comfort of your home, beginning today, July 4th! Discover more about the ASL version here: https://lnkd.in/g7FVURaW And don't miss the ASL trailer below! https://lnkd.in/gZARsjPg #streaming #hbo #max #godzilla #kong #action #adventure #scanlinevfx #vfx #visualeffects
Scanline VFX
Entertainment Providers
Vancouver , British Columbia 95,370 followers
Powered by Netflix
About us
Scanline VFX is an award-winning, global leader in the visual effects industry with studios in 7 core locations including London, Los Angeles, Montreal, Munich, Seoul, Stuttgart, and Vancouver. From humble beginnings over 30 years ago, we’ve grown to a team of over 1,200 made up of diverse nationalities from around the world. We believe in the power of storytelling and are committed to helping filmmakers realize their artistic vision. Underpinned by a commitment to innovation, collaboration and long-standing partnerships, we continue to develop innovative tools, techniques and technologies, to offer filmmakers the ultimate in creative freedom. Eyeline Studios, Scanline’s virtual production division, is rethinking the future of real-time filmmaking by providing content creators with unmatched flexibility. Netflix’s investment in Scanline’s pipeline, infrastructure, and workforce allows Scanline to continue to push the boundaries of what is possible in VFX. In addition to working on projects for Netflix, Scanline continues to work with a variety of long-standing and new clients outside of Netflix. Established in 1989 in Munich, Scanline became well-known for our ability to create photorealistic natural phenomena such as fire, smoke and water, having developed our proprietary fluid simulation software, Flowline. Scanline was the sole developer of Flowline and in 2008, and was the recipient of a Scientific and Technical Achievement Academy Award® for the software.
- Website
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http://www.scanlinevfx.com
External link for Scanline VFX
- Industry
- Entertainment Providers
- Company size
- 1,001-5,000 employees
- Headquarters
- Vancouver , British Columbia
- Type
- Privately Held
- Founded
- 1989
- Specialties
- Visual Effects and Virtual Production
Locations
Employees at Scanline VFX
Updates
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STREAMING NOW! Everybody's favorite police officer, Axel Foley, is officially back on the beat starting today, with Scanline VFX aiding and abetting him every step of the way! The love is already flowing. Collider calls 'Beverly Hills Cop: Axel F' "exactly the kind of entertaining summer blockbuster that we need more of." Deadline Hollywood says the film is "great fun" while RogerEbert.com points out that the movie is "buoyant and playful in a way that legacy sequels usually aren’t allowed to be." Congrats to our Scanline VFX teams, whose unforgettable actions sequences and invisible effects are leaving an indelible mark on this beloved franchise. #netflix #streaming #franchise #action #comedy #VFX #visualeffects #scanlinevfx
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Wednesday night, Scanline VFX and Eyeline Studios - Powered by Netflix hosted an exclusive company screening of "Beverly Hills Cop: Axel F" in Hollywood, California, to celebrate both companies' work on this popular franchise starring Eddie Murphy. Following the screening, we held a Q&A session with the film's overall VFX Supervisor, Scanline's Bryan Grill, along with two special guests: legendary stunt helicopter pilot Fred North and renowned stunt coordinator Mike Gunther. This trio and their teams collaborated closely during production, including on one of the film’s most memorable sequences involving a stolen police helicopter. Moderated by our Creative Marketing Director, Zorianna Kit, the panel delved into the seamless collaboration between VFX and stunts, revealing how both teams came together to pull off jaw-dropping sequences that will delight viewers when the action-comedy begins streaming on July 3. Eyeline's Connie W. Siu also took the mic to highlight Eyeline’s significant contributions to the film. A heartfelt thank you to everyone who attended, and congratulations to all of Scanline's and Eyeline's artists, producers, and technicians for their phenomenal, invisible visual effects and technical work showcased in this Netflix streaming movie. Photos by Eyeline’s Alex Chun and Mary Carr. #visualeffects #vfx #stunts #stuntcoordinator #helicopter #pilot #stuntwork #collaboration #technology #netflix #film #movie #streaming #comedy #franchise #action
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FOR YOUR CONSIDERATION The Emmy nominations-round voting closes on Monday, June 24. Make sure you get your ballot in! "3 Body Problem" - featuring work by Scanline VFX - for Outstanding Special Visual Effects in a Season or a Movie. https://lnkd.in/ghAe8Z_K
3 Body Problem | Visual Effects Reel | Netflix
https://www.youtube.com/
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FOR YOUR CONSIDERATION! The Emmy nominations-round voting period is now open. "Avatar: The Last Airbender" - featuring work by Scanline VFX - for Outstanding Special Visual Effects in a Season or a Movie. https://lnkd.in/gpaUmZcN
Avatar: The Last Airbender | Visual Effects Reel | Netflix
https://www.youtube.com/
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"As I regularly work between Seoul, LA, London, and Vancouver, I’ve become an expert at context shifting. I try to appreciate and value each unique culture I work in and ensure my management meets my team where they are while still being authentic, real, and safe." - Lauren McCallum, vice president, VFX, Scanline VFX in an interview with Broadcast Tech. We're thrilled to see Scanline VFX's own Lauren McCallum spotlighted in Broadcast Tech's feature on the LGBTQIA+ community in Post and VFX, authored by Holly Miller at Percy & Warren. Read the interview here: https://lnkd.in/gVFy4kdD As we celebrate Pride Month, Scanline VFX takes immense pride in highlighting the diverse voices and talents within our industry. Congratulations, Lauren, for your contributions and representation, and of course, leadership! Happy Pride Month! #scanlinevfx #vfx #visualeffects #postproduction #pridemonth #happypride #LGBTQIA+
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As we approach the July 3 release date of the highly anticipated "Beverly Hills Cop: Axel F," Netflix has released a sneak peak clip from the film that literally involves every word from the title - its got the city of Beverly Hills, it's got cops and it has Axel F. It also has VFX work by Scanline VFX. Enjoy! #vfx #visualeffects #netflix #streaming #scanlinevfx https://lnkd.in/gkzMD2bV
Beverly Hills Cop: Axel F | Sneak Peek | Netflix
https://www.youtube.com/
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SCANLINE x SILHOUETTE We're thrilled to share our recent collaboration with software company Boris FX on a case study showcasing Scanline VFX's integration of its toolkit Silhouette and Mocha Pro, into the production of the hit Netflix series "3 Body Problem." In the featured article below, our own VFX Supervisor Boris Schmidt offers invaluable insights into Scanline's role in bringing the series to life. Additionally, Charana Mapatuna, our Head of Roto & Paint, North America, shares his expertise on how these innovative software solutions significantly enhanced our team's workflow. #scanlinevfx #visualeffects #vfx #software #technology #netflix #streaming #rotoscope #paint https://lnkd.in/gN_8J2fk
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We've been hard at work on this one. Hope you're all ready to kick it up a notch! #scanlinevfx #rebelmoon #netflix #streaming #franchise #sciencefiction #film #movie #vfx #visualeffects https://lnkd.in/gasFQMa6
Zack Snyder’s ‘Rebel Moon’ Director’s Cut First Look: ‘Sexier, Bloodier’ Movies Get New Titles and August Release Date
https://variety.com
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"Neither of us are anything without each other — and that’s the reality of it. Production designers might start earlier concepting, getting the tone and feel of the show and then figuring out how much we build. Then our visual effects colleagues take over. But the epic nature of the shows we’re working on wouldn’t be what they are without the visual effects department.” - Deborah Riley, production designer on "3 Body Problem" on her collaboration with Scanline VFX Supervisor Boris Schmidt. #scanlinevfx #vfx #visualeffecs #FYC #foryourconsideration #collaboration #awards https://lnkd.in/gRRA5fSN
3 Body Problem, Avatar Teams on Magic of World Building
thewrap.com