On "SHAME", producer 2K88 (Przemysław Jankowiak, fka 1988) invokes the era and spirit of PL SOUND, a local genre inspired by British soundsystem music but infused with the social, urban, and sonic themes that developed during Poland’s post-communist transformation. "SHAME" is a progressive, bass-fueled transmission built from scraps of hip-hop’s past; it’s a cinematic vision of Y2K Polish rap that’s in constant flux, where every detail is just as important as the whole structure.
Sampling the Polish canon of beats from the low-rent districts of the nineties, 2K88 plunders tracks already based on samples and channels the experiences of the generations that grew up with those sounds, struggling and celebrating with them. And just as he did with his previous projects Etamski and 1988, 2K88 draws out, processes, and ages his elements in an echo chamber, asking questions and formulating answers.
Jankowiak works on the fringes of genre: traces of ambient, dub, rap and jungle flicker into low-lit urban rhythms, chunky nightclub basslines and paranoid production touches. This is in keeping with his new, futuristic handle, 2K88. Not for a second does he succumb to today’s omnipresent nostalgia, instead putting reconstruction before deconstruction — he finds whole worlds in his scraps, and in the long-gone turn-of-the-millennium period, whose liminal qualities feel like a precursor to the unease of the present moment.
The end-of-the-20th-century paranoia has only intensified in the past 30 years, and paranoia, as Philo Gant once said in the 1995 sci-fi film "Strange Days", is “just reality on a finer scale”. By that logic, 2K88 offers a picture of the grittiest reality blown up to truly awe-inspiring proportions.
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2K88— fka 1988, aka Przemysław Jankowiak — is a music producer, graphic designer, and audio director raised in the Poland of the 1990s and on the pioneering rap records of that time. The rawness, chunkiness, and paranoia he took from this period have always been an integral part of his music. They were there when he made his first homemade beats and stayed with him when, in the following years, he distanced himself from hip-hop, going deeper into the world of sampling experiments and the post-genre avant-garde. Later, he and Robert Piernikowski created the universe of the duo Syny - an irreal spectral/ontological phenomenon built out of memories, dreams, and bass, rap, dub, and smoke.
Since the end of Syny, Jankowiak has let loose his beatmaker impulses on a collaborative record with Warsaw’s legendary MC Włodi, created the album Ruleta [Roulette] with over 30 featured guests, and struck up a dialogue with the electronic soundsystem work that���s fascinated him for years on the Ring the Alarm EP. He’s also created chart-topping avant-pop with Brodka and a mimetic soundtrack to “Splinter”, but it is SHAME that is the album we might call his sonic résumé.
credits
released June 28, 2024
Music composed, recorded and produced by 2K88
Mastered and cut by Stefan Betke at Scape Mastering
Artwork by Przemysław Jankowiak
Layout by Przemysław Jankowiak
Liner notes by Filip Kalinowski
Commissioned by Unsound
Curated by Mat Schulz and Wannes Cuypers
UNS007
The first track is a bit of an outlier, perhaps connecting back to earlier albums where jazz foundations lead the way, before going all out berserk with the beats, beats, and beats. Bass and electronics are now the mainstays over the hip-hop influenced rhythms. But the horns are still layered back in with style. I initially passed this over, but the Szlam / Ścieki tracks blew my socks off and in desperation for more, I was led back to this. I can't wait to see where Błoto go next. rvss.eel
This LP tells the story of a witch, a pair of magic gloves, & an enormous shark via wonderfully surreal electronic songs. Bandcamp New & Notable Aug 9, 2021
Such a wonderfully engaging and atmosepheric set. Lots of space, air, and this timbrous, intimate sensitivity. With a shining heart at its centre. Easily one of this year's finest. Thanks orbonk