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The Wes Anderson Collection: The French Dispatch: The French Dispatch Hardcover – August 22, 2023
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Everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail in this beautifully designed book.
Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film’s conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.
The French Dispatch—the tenth feature film from writer-director Wes Anderson—is a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine.
- Print length256 pages
- LanguageEnglish
- PublisherAbrams Books
- Publication dateAugust 22, 2023
- Dimensions9.65 x 0.9 x 11.55 inches
- ISBN-10141975064X
- ISBN-13978-1419750649
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Product details
- Publisher : Abrams Books (August 22, 2023)
- Language : English
- Hardcover : 256 pages
- ISBN-10 : 141975064X
- ISBN-13 : 978-1419750649
- Item Weight : 0.353 ounces
- Dimensions : 9.65 x 0.9 x 11.55 inches
- Best Sellers Rank: #329,981 in Books (See Top 100 in Books)
- #73 in Individual Directors
- #252 in Video Direction & Production (Books)
- #310 in Movie Direction & Production
- Customer Reviews:
About the author
![Matt Zoller Seitz](https://cdn.statically.io/img/m.media-amazon.com/images/I/01Kv-W2ysOL._SY600_.png)
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The book is printed and bound in the USA. One of the two stars is for this alone. The quality of the binding is bad. Hold it against the incidence of a ray of light or run your fingertips diagonally across the boards, and the bumpy cheap cardboard used in the binding is evident.
Paper Stock |
The stock is light weight semi-gloss, that is known to the subscribers of Vogue, Variety, GQ, or Cosmopolitan. One word … Cheap.
Print |
Super tiny (Point 4?) Serif fonts start to finish. Lines are packed close together, in dense text clusters, making for *very difficult* readability.
The Covers of The French Dispatch |
This section has all 30+ classy and classic covers by the illustrator Javi Aznarez. What’s not to like? The four covers crammed per page. It is hard to believe that ABRAMS pulled this wry joke on the discriminating readers and collectors of all things Wes Anderson. Each cover deserves a page all its own. With another page of commentary. And each with a perforated easy-tear layout for framing. But no such luck … or good foresight forthcoming.
Verdict |
Skip this edition. Unless you are a completist. My copy will be returned for a full refund.
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Indeed, "The French Dispatch" actually has a pair of relevant written companions, also taking into account "An Editor's Burial", a selection of pieces from "The New Yorker" that Anderson and editor David Brendel released via Pushkin Press. Between the two books, you get a very extensive sense of the director's inspirations for his work, as well as his creative processes and the functioning of his sets. While this is focused on the creation of the film in question, Zoller Seitz's interviewees provide a lot of details about their own histories with Anderson, so you get, for instance, Tony Revolori's account of coming to be in "The Grand Budapest Hotel" or Tilda Swinton's explaining how she wrote to Anderson over a decade ago to express a desire to be in one of his films and thus commenced a lengthy collaboration.
Zoller Seitz has an impressive array of interview subjects here, from core members of Anderson's production team to local residents in Angoulême who answered the casting calls for extras and bit players. I personally found the description of Anderson's screenwriting process the most illuminating segment, but there's plenty here that will be of interest to filmmaking enthusiasts. And the package is, of course, handsome.
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Beautiful piece of art that explores the film and its ideas